Monday, July 03, 2006
Life Drawing Sunday VI: Fourth of July
Sunday, May 07, 2006
Life Drawing Sunday V: J. Norman Lynd
J. Norman Lynd (1878-1943) was a staff artist on the New York Herald from 1907 until it merged with the Tribune in 1924. Publisher Frank Munsey, pulp magazine pioneer and great merger and destroyer of newspapers, fired Lynd immediately upon purchasing the Herald. It is believed not only that a caricature Lynd had done of Munsey two years earlier was the cause of his termination, but that firing Lynd was reason he bought the Herald in the first place.*
In 1927 Lynd took over the Sunday feature "Vignettes of Life" from Frank Godwin and worked it until 1938, when he created a similar feature called "Family Portraits" for King Features.
Rick Marschall wrote of Lynd's work in The World Encyclopedia of Cartoons:
J. Norman Lynd had one of the most handsome pen lines in cartooning. In his mature work he managed to retain the disciplined crooshatch technique of the early years while infusing an arresting verve both to characters and compositions. His style zeroed in on personality so well that readers were able to recognize character types - a prerequisite for the type of feature Lynd drew.
*Munsey died the following year and was not remembered fondly. "I am glad Munsey is dead and I hope he is in hell!" said H.L. Mencken. William Allen White of the Emporia (Ks.) Gazette wrote, "“Frank Munsey, the great publisher is dead. Frank Munsey contributed to the journalism of his day the talent of a meat packer, the morals of a money changer and the manners of an undertaker. He and his kind have about succeeded in transforming a once noble profession into an 8 percent security. May he rest in trust!” White was far less kind to Mencken himself:
With a pig’s eyes that never look up, with a pig’s snout that loves muck, with a pig’s brain that knows only the sty, and a pig’s squeal that cries only when he is hurt, he sometimes opens his pig’s mouth, fanged and ugly, and lets out the voice of God – railing at the whitewash that covers the manure about his habitat.
Citations from a speech by Portland Gartner, delivered to the National Conference of Editorial Writers, September 16, 2005.
Sunday, April 16, 2006
Life Drawing Sunday IV: Easter
Friday, April 07, 2006
Life Imitates Illustration
Two completely unrelated news items yesterday either concerned or evoked Norman Rockwell paintings. First, via The Comics Reporter, this story of the discovery of the authentic Breaking Home Ties.
Then, Head On Radio found a striking similarity between Harry Taylor, the man who somehow managed to slip through the screening process to speak freely to the Fearless Leaker himself, and Rockwell's Freedom of Speech.
Sunday, March 26, 2006
Life Drawing Sunday III: James Montgomery Flagg
James Montgomery Flagg, artist, illustrator, bohemian,
Though primarily, if not exclusively, remembered for his WWI "I Want You" recruitment poster, Flagg was an extremely prolific illustrator. Susan E. Meyer, in America's Great Illustrators, writes, "He received so many assignments that he claimed to have averaged an illustration a day for years - and the quantity of his work reproduced between 1904 and 1950 (as well as his earnings) substantiates the accuracy of this estimate." She also wrote about the quality of his work:
Flagg's greatest output was in pen and ink, the medium he considered most difficult. ...Flagg felt more comfortable working large, with space to move about freely. He anticipated the ultimate reduction by spacing the lines appropriately so that they would tighten without filling in when the drawing was reduced. Yet examination of these drawings full scale reveals his expert handling of a difficult medium, effects that are dazzling in their energy. He rarely used any form of cross-hatching, a common procedure for the pen artist, but rather achieved a full range of effects with simple parallel lines, placed with decisive economy. Solid blacks, brushed in swiftly, could indicate a volume beneath by mere suggestion. Scratching into the black tones, he obtained reversal - white on black rather than black on white - so that he could suggest detail in shadow. He worked in full control of the medium, yet the work appears effortlessly executed, spontaneous and assured.
Flagg also found time to write the screenplays for 24 silent films between 1917 and 1920. Ten of them were for a series called "Girls We Know" produced by Edison. One not included on the IMDB list and hesitantly attributed to Flagg has an excellent title.
The following drawings are from early 1923, part of an occasional, Reader's Digest-y sounding series called "You and Your -" that displayed Flagg's more humorous, almost cartoony, style.
Sunday, March 19, 2006
Life Drawing Sunday II: Percy L. Crosby
Percy Crosby's drawings began appearing in the pages of Life in 1920. In 1923 he created "Skippy" for the magazine. Hearst lured Crosby away from Life to produce Skippy as a daily strip for King Features in 1926. The character would bring him tremendous success; along with the popularity of the strip there was a wide assortment of licensed merchandise, among which a certain peanut butter was not included. 
In 1931, two movies were released by Paramount, starring Jackie Cooper as Skippy and directed by Cooper's uncle Norman Taurog. (In an inspired moment of directorial expedience Taurog threatened to shoot Cooper's dog to get him to cry in one scene.Taurog won the Best Director Oscar for the picture.)
The legal difficulties with Skippy peanut butter, which were picked up by Crosby's daughter after his death in 1964 and were finally resolved forty years later were only a part of the troubles that plagued Crosby. Over the years his outspoken cartoons had made enemies of FDR, J. Edgar Hoover, Al Capone and the IRS. Two audits by the IRS hammered Crosby for back taxes, which led to a depletion of his fortune, divorce and estrangement from his children, alcoholism, legal battles with his partners in Skippy, Inc., the company he'd formed to handle merchandising of the Skippy trademark. In 1940 he was hospitalized for extreme stress.
In 1945 Hearst cancelled the Skippy strip. It apparently had become too overtly political, depressing and humorless. (Ironically, some of the qualities that make for a successful strip today.)
In 1948 Crosby attempted suicide. He was committed to a Long Island mental institution where, unable to obtain his release, he spent the last 16 years of his life. He died on his birthday in 1964.
But he left behind some of the loosest, most enegetic drawings Life ever published.
Thursday, March 16, 2006
What's the score, boys?
Jaime Weinman links to this thorough analysis of "Baseball Bugs," or, more accurately, of the game therein, from U.S.S. Mariner. Among the topics discussed: Modest Soil Displacement and Accelleration Through Encouragement.
Monday, March 06, 2006
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